Surajkund Crafts Mela : 1987-88

Surajkund Crafts Mela : 1987-88

The year was 1987. The Mela ambience was simple. The architect who set the pattern of the Mela grounds was Shri Surendra Patel of Sharad Gandharva from Gujarat. The Mela grounds were intrinsically rural in appeal and so, the gate was designed as a plain mud structure. A hidden stairway led to the shehnai platform. The thatched roof tops and the presence of the shady trees set the stage for a delightful rural experience. During these two years, the Surajkund Mela played up no particular theme.

Surajkund Crafts Mela: 1989

Surajkund Crafts Mela: 1989

Theme State : Rajasthan

Commemorative Structure : Shekhawati Gate

The tradition of encapsulating the Theme State into the foreground began from this year onwards. Since then, a commemorative structure came to be designed every year. Colourful Shekhawati gate of Rajasthan was chosen as the master motif of the Mela. A haveli and a gate were built. Each structure was decorated with arched niches and brilliantly coloured wall murals, typical of the colourful of Shekhawati region. Even today, the haveli and the gate are a fascinating signature of Rajasthan. The gate stands 25-feet high and has been decorated by folk painters.

Surajkund Crafts Mela: 1990

Surajkund Crafts Mela: 1990

Theme State : West Bengal

Commemorative Structure : Vishnupur Gate

The Vishnupur gate reflects ancient structural traditions of West Bengal. Built with delicate terracotta patterns, the gate reflects architectural traditions that are over 1000 years old. Vishnupur was once the administrative seat of the Malla dynasty of Bengal. Though the Mallas were a warrior clan, they were also patrons of art and culture. Delicate relief patterns were used to embellish temples of which the existing Vishnupur temple is one. The famous Bankura house belongs to this genre. The Vishnupur Mela gate has a convex roof and elaborate terracotta decorations typical of the traditional Vishnupur temple structure.

Surajkund Crafts Mela: 1991

Surajkund Crafts Mela: 1991

Theme State : Kerala

 

Commemorative Structure : Kottayambalam Gate

 

Kerala formed the master motif of the Mela in 1991. It was symbolised by the Kottayambalam Gate. Designed by Laurie Baker, the gate is 31-feet in height. The structure is built of bricks and topped with tiles. The pyramidal roof is decorated with brass pinnacles. The structure reflects folk architecture.
Surajkund Crafts Mela: 1992

Surajkund Crafts Mela: 1992

Theme State : Chhattisgarh

 

Commemorative Structure : Danteshwari Devi Gate

 

The year 1992 celebrated Bastar of Madhya Pradesh as the Mela Theme.It was for the first time that a tribal motif formed the centre of attention, the deeply revered form of the mother goddess Danteshwari Devi, decorated the Mela gate, built in Dhokra metal craft tradition. The Devi is flanked with her retinue of local Gods and Goddesses. The gate is 33-feet in height.
Surajkund Crafts Mela: 1993

Surajkund Crafts Mela: 1993

Theme State : Orissa

 

Commemorative Structure : Mukteswara Gate

 

The gate of the Mela celebrates Orissa. The ‘Gem of Orissan architecture’ is the phrase associated with the Mukteswara temple.The Torana decorative motif of the original temple is reflected in gate. Built by the craftspersons of Orissa, the gate displays fine stone carving traditions. The original Mukteswara temple along with its additional motifs of the ‘Raja Rani’ and the ‘Lingaraj’ temples marks the beginning of the ‘Peedha’ temple traditions in the region. The gate is 16-feet in height.